He stayed away from the arclights. Yet, somehow, they always found him.
Some souls don’t chase the stage—they become it. From his earliest days in Kolkata, while navigating the nuts and bolts of his hosiery business, Dr. Rajesh R Agarwala found solace under stage lights. Theatre wasn’t a hobby—it was home.
As a performer with the amateur group Anamika at the iconic Sangeet Kala Mandir on Theatre Road, he lived for rehearsals, lived for the role, lived for the hush before applause. The routine was simple—chai, samosa, a script, and a stage.
So when a paid Siliguri show came with Rs.150 a day, he refused.
“If it’s for passion, I’ll perform. But don’t ask me to put a price on what feeds my soul.”
They replaced him. The lights faded. But the fire stayed.
Years passed. Business boomed. And then, cinema knocked.
In 1989, a few friends introduced him to Bengali film stalwart Swapan Saha. That meeting sparked Ram Krishna Productions, named after Rajesh’s father. Their debut venture, Maan Samman, became a runaway hit. Tickets sold out for weeks, black markets thrived outside theatres, and the film catapulted stars like Shatabdi Roy and Chiranjeet Chakraborty to new heights.
The success was electric. The pull was real.
Next, he acquired the rights to Prajapati, the acclaimed novel by Dr. Samresh Basu. The film featured Shatabdi Roy and Viplab Chatterjee. But casting a known villain in the lead backfired—a bold creative call that didn’t land with audiences.
Still, the flame didn’t flicker.
His third film, Biswas Abiswas, with Prosenjit Chatterjee, Indrani Haldar, Shatabdi Roy, Bhaskar Banerjee, Anushree Das, and Anuradha Ray, was a strong entry. It performed well. But by then, Rajesh was shifting focus to Mumbai, pulled into newer ventures, bigger industries, and a global business vision.
He may have stepped back from the screen…
But the screen wasn’t done with him.
Years later, now an industrialist in Dubai, he remained connected to art, music, and meaning. His close friend, Abbas Ali Mirza, former VP at Deloitte, introduced him to a film he had backed—Uttar Chhaya, directed by Mumbai-based filmmaker Rajiv S. Ruia.
Rajesh watched. He was deeply moved.
He reached out to Rajiv Ruia in Mumbai. Accompanied by acclaimed lyricist and writer Sandeep Nath, the trio spent hours together. Conversations turned into reflection. Reflection turned into direction. What emerged was not just a narrative—but a life, aching to be told.
That life is now Vijeyta—a film that traces not just milestones, but the man behind them.
From a boy who performed for the love of a stage…
To a man who produced films with his heart on the line…
To now, a subject of cinema himself—
Dr. Rajesh R Agarwala never chased fame.
But when you live with fire, light will always follow.
Vijeyta isn’t just a story.
It’s destiny returning for its final bow.
